Becoming an Actor’s Director
Language: en
Pages: 182
Authors: Regge Life
Categories: Art
Type: BOOK - Published: 2019-10-21 - Publisher: Routledge

The collaboration of director and actor is the cornerstone of narrative filmmaking. This book provides the director with a concrete step-by-step guide to preparation that connects the fundamentals of film-script analysis with the actor’s process of preparation. This book starts with how to identify the overall scope of a project
Becoming an Actor's Director
Language: en
Pages: 182
Authors: Regge Life
Categories: Motion pictures
Type: BOOK - Published: 2019-10-08 - Publisher:

The collaboration of director and actor is the cornerstone of narrative filmmaking. This book provides the director with a concrete step-by-step guide to preparation that connects the fundamentals of film-script analysis with the actor's process of preparation. This book starts with how to identify the overall scope of a project
Theatre Talk
Language: en
Pages: 495
Authors: Lilian Chambers, Ger Fritz Gibbon, Eamonn Jordan
Categories: Drama
Type: BOOK - Published: 2001 - Publisher: Peter Lang

Interviews with Irish theatre practitioners
The Business of Entertainment [3 volumes]
Language: en
Pages: 752
Authors: Robert C. Sickels
Categories: Social Science
Type: BOOK - Published: 2008-11-30 - Publisher: ABC-CLIO

We love to be entertained. And today's technology makes that easier than ever. Listen to tunes while working out? No problem. Watch a movie on your cell phone? Can do. Get 450 channels of digital entertainment bounced off a satellite and into your vehicle—even while traveling through empty wastelands? Simple.
The Path Of The Actor
Language: en
Pages: 242
Authors: Michael Chekhov
Categories: Performing Arts
Type: BOOK - Published: 2006-06-01 - Publisher: Routledge

This is the first English translation of Michael Chekhov’s two-volume autobiography, combining The Path of the Actor (1927) and extensive extracts from his later volume Life and Encounters. Full of illuminating anecdotes and insightful observations involving prominent characters from the MAT and the European theatre of the early twentieth century,