Beyond Prime Time

Beyond Prime Time

Author: Amanda Lotz

Publisher: Routledge

ISBN: 9781135842611

Category: Social Science

Page: 224

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Daytime soap operas. Evening news. Late-night talk shows. Television has long been defined by its daily schedule, and the viewing habits that develop around it. Technologies like DVRs, iPods, and online video have freed audiences from rigid time constraints—we no longer have to wait for a program to be "on" to watch it—but scheduling still plays a major role in the production of television. Prime-time series programming between 8:00 and 11:00 p.m. has dominated most critical discussion about television since its beginnings, but Beyond Prime Time brings together leading television scholars to explore how shifts in television’s industrial practices and new media convergence have affected the other 80% of the viewing day. The contributors explore a broad range of non-prime-time forms including talk shows, soap operas, news, syndication, and children’s programs, non-series forms such as sports and made-for-television movies, as well as entities such as local affiliate stations and public television. Importantly, all of these forms rely on norms of production, financing, and viewer habits that distinguish them from the practices common among prime-time series and often from each other. Each of the chapters examines how the production practices and textual strategies of a particular programming form have shifted in response to sweeping industry changes, together telling the story of a medium in transition at the beginning of the twenty-first century. Contributors: Sarah Banet-Weiser, Victoria E. Johnson, Jeffrey P. Jones, Derek Kompare, Elana Levine, Amanda D. Lotz, Jonathan Nichols-Pethick, Laurie Ouellette, Erin Copple Smith
Beyond Prime Time
Language: en
Pages: 224
Authors: Amanda Lotz
Categories: Social Science
Type: BOOK - Published: 2010-04-02 - Publisher: Routledge

Daytime soap operas. Evening news. Late-night talk shows. Television has long been defined by its daily schedule, and the viewing habits that develop around it. Technologies like DVRs, iPods, and online video have freed audiences from rigid time constraints—we no longer have to wait for a program to be "on"
Beyond Prime Time Activism
Language: en
Pages: 266
Authors: Charlotte Ryan, Karen Jeffreys
Categories: Social Science
Type: BOOK - Published: 2019-03-13 - Publisher: Routledge

In this accessible introduction to communication activism, organizer Karen Jeffreys and sociologist Charlotte Ryan draw on more than two decades of ongoing collaboration, using the Rhode Island Coalition for the Homeless (RICH) as a case study. The book examines a community with shared values, decision-making, and conflict resolution procedures, tracking
Prime-Time Television
Language: en
Pages: 134
Authors: Muriel G. Cantor, Sage Pubns
Categories: Language Arts & Disciplines
Type: BOOK - Published: 1980 - Publisher: SAGE Publications, Incorporated

Reviews the historical development and change in TV content, as well as its analyses and criticisms; sets down the basic forms of governmental regulations and their impact on the TV industry; describes the development of a television program or series from concept through production, dissemination and syndication; discusses viewpoints on
Sport Beyond Television
Language: en
Pages: 254
Authors: Brett Hutchins, David Rowe
Categories: Social Science
Type: BOOK - Published: 2012-04-27 - Publisher: Taylor & Francis

Television is no longer the only screen delivering footage and news to people about sport. Computers, the Internet, Web, mobile and other digital media are increasingly important technologies in the production and consumption of sports media. Sport Beyond Television analyzes the changes that have given rise to this situation, combining
Italian TV Drama and Beyond
Language: en
Pages: 264
Authors: Milly Buonanno
Categories: Performing Arts
Type: BOOK - Published: 2012 - Publisher: Intellect Books

Focuses on Italian TV drama, in and through the specific features that, since the inception of television in the mid-Fifties, have shaped and constituted its distinctive 'Italianness'. This title explores the intersection between domestic cultural roots and foreign influences in the construction of a genuinely national storytelling.