Language: en
Pages: 257
Pages: 257
Becoming Noise Music tells the story of noise music in its first 50 years, using a focus on the music's sound and aesthetics to do so. Part One focuses on the emergence and stabilization of noise music across the 1980s and 1990s, whilst Part Two explores noise in the twenty-first
Language: en
Pages: 254
Pages: 254
Summary: A lively accessible survey of contemporary exploratory music in Australia. Complemented by iamges and an audio CD, it offers a fascinating glimpse into the vibrant world of sound art and the role of experimentation in contemporary Australian culture.
Language: en
Pages: 826
Pages: 826
Revised and expanded, this book provides a thorough treatment of the history of electronic music today. The third edition’s reader-friendly writing style, logical organization, and features provide easy access to key ideas, milestones, and concepts.
Language: en
Pages: 142
Pages: 142
What does a one hour contemporary orchestral piece by Georg Friedrich Haas have in common with a series of glitch-noise electronic tracks by Pan Sonic? This book proposes that, despite their differences, they share a particular understanding of sound that is found across several quite distinct genres of contemporary art
Language: en
Pages: 412
Pages: 412
The recent resurgence of experimental music has given rise to a more divergent range of practices than has previously been the case. The Ashgate Research Companion to Experimental Music reflects these recent developments by providing examples of current thinking and presenting detailed case studies that document the work of contemporary