Shakespeare on Theatre
Language: en
Pages: 130
Authors: Robert Cohen
Categories: Performing Arts
Type: BOOK - Published: 2015-09-07 - Publisher: Routledge

In Shakespeare on Theatre, master acting teacher Robert Cohen brilliantly scrutinises Shakespeare's implicit theories of acting, paying close attention to the plays themselves and providing a wealth of fascinating historical evidence. What he finds will surprise scholars and actors alike – that Shakespeare's drama and his practice as an actor
TWELFTH NIGHT DT.
Language: en
Pages: 115
Authors: William Shakespeare
Categories: Performing Arts
Type: BOOK - Published: 1970 - Publisher:

Books about TWELFTH NIGHT DT.
Shakespeare's Theatre
Language: en
Pages: 570
Authors: Hugh Macrae Richmond
Categories: Literary Criticism
Type: BOOK - Published: 2004-01-01 - Publisher: A&C Black

Under an alphabetical list of relevant terms, names and concepts, the book reviews current knowledge of the character and operation of theatres in Shakespeare's time, with an explanation of their origins>
Shakespeare's Theatre
Language: en
Pages: 570
Authors: Hugh M. Richmond
Categories: Literary Criticism
Type: BOOK - Published: 2002 - Publisher: Continuum International Publishing Group

"Shakespeare's Theatre ... is a comprehensive reference guide to Shakespearean playhouse practice. An A-Z of over 900 entries covers the practices of Elizabethan actors and playwrights; methods of characterization; gesture, blocking and choreography, including music, dance and fighting; actors' rhetorical interaction with audiences; and use of costumes, stage props, and
Shakespeare and Modern Theatre
Language: en
Pages: 202
Authors: Michael D. Bristol, Kathleen McLuskie, Christopher Holmes
Categories: Literary Criticism
Type: BOOK - Published: 2001 - Publisher: Psychology Press

This anthology examines Love's Labours Lost from a variety of perspectives and through a wide range of materials. Selections discuss the play in terms of historical context, dating, and sources; character analysis; comic elements and verbal conceits; evidence of authorship; performance analysis; and feminist interpretations. Alongside theater reviews, production photographs,