The Oxford Handbook of Music and the Brain

The Oxford Handbook of Music and the Brain

Author: Michael H. Thaut

Publisher: Oxford University Press

ISBN: 9780192526137

Category: Psychology

Page: 896

View: 328

Download BOOK ยป

The study of music and the brain can be traced back to the work of Gall in the 18th century, continuing with John Hughlings Jackson, August Knoblauch, Richard Wallaschek, and others. These early researchers were interested in localizing musicality in the brain and learning more about how music is processed in both healthy individuals and those with dysfunctions of various kinds. Since then, the research literature has mushroomed, especially in the latter part of the 20th and early 21st centuries. The Oxford Handbook of Music and the Brain is a groundbreaking compendium of current research on music in the human brain. It brings together an international roster of 54 authors from 13 countries providing an essential guide to this rapidly growing field. The major themes include Music, the Brain, and Cultural Contexts; Music Processing in The Human Brain; Neural Responses to Music; Musicianship and Brain Function; Developmental Issues in Music and the Brain; Music, the Brain, and Health; and the Future. Each chapter offers a thorough review of the current status of research literature as well as an examination of limitations of knowledge and suggestions for future advancement and research efforts. The book is valuable for a broad readership including neuroscientists, musicians, clinicians, researchers and scholars from related fields but also readers with a general interest in the topic.
The Oxford Handbook of Music and the Brain
Language: en
Pages: 896
Authors: Michael H. Thaut, Donald A. Hodges
Categories: Psychology
Type: BOOK - Published: 2019-08-01 - Publisher: Oxford University Press

The study of music and the brain can be traced back to the work of Gall in the 18th century, continuing with John Hughlings Jackson, August Knoblauch, Richard Wallaschek, and others. These early researchers were interested in localizing musicality in the brain and learning more about how music is processed
The Oxford Handbook of Music and the Body
Language: en
Pages: 472
Authors: Youn Kim, Sander L. Gilman
Categories: Music
Type: BOOK - Published: 2019 - Publisher: Oxford University Press, USA

This handbook is currently in development, with individual articles publishing online in advance of print publication. At this time, we cannot add information about unpublished articles in this handbook, however the table of contents will continue to grow as additional articles pass through the review process and are added to
The Oxford Handbook of Music Psychology
Language: en
Pages: 960
Authors: Susan Hallam, Ian Cross, Michael Thaut
Categories: Psychology
Type: BOOK - Published: 2016-01-14 - Publisher: Oxford University Press

The 2nd edition of the Oxford Handbook of Music Psychology updates the original landmark text and provides a comprehensive review of the latest developments in this fast growing area of research. Covering both experimental and theoretical perspectives, each of the 11 sections is edited by an internationally recognised authority in
Oxford Handbook of Music Psychology
Language: en
Pages: 600
Authors: Susan Hallam, Ian Cross, Michael Thaut
Categories: Psychology
Type: BOOK - Published: 2011-05-26 - Publisher: OUP Oxford

The field of Music Psychology has grown dramatically in the past 20 years, to emerge from being just a minor topic to one of mainstream interest within the brain sciences. However, until now, there has been no comprehensive reference text in the field. The Oxford Handbook of Music Psychology is
The Oxford Handbook of Sound and Imagination
Language: en
Pages: 880
Authors: Mark Grimshaw-Aagaard, Mads Walther-Hansen, Martin Knakkergaard
Categories: Music
Type: BOOK - Published: 2019 - Publisher: Oxford Handbooks

Whether social, cultural, or individual, the act of imagination always derives from a pre-existing context. For example, we can conjure an alien's scream from previously heard wildlife recordings or mentally rehearse a piece of music while waiting for a train. This process is no less true forthe role of imagination